Richard Stille
Photographer
The photographs in this portfolio reflect a long and sometimes interesting life. I was raised in a US Army family. My father joined in World War II and spent the next twenty years in the military. I was born in Algiers, Algeria and lived my childhood moving from place to place. Early memories of living in Europe as a child after the second world war when the cities of Germany were scenes of destruction by bombing drew me to photograph the Old Customs House in Victoria being torn down and the remnants of adobe houses in New Mexico. I lived in the "heart" of Texas, at Fort Hood, and travelled across the southwest, in the back seat of a 1953 green Dodge, where the canyons and mesas were my own western movie sets. As an adult I've been drawn to the deserts and mountains of New Mexico and Arizona.
I began my adult life working in the theatre as a mediocre actor and then changed course to get my degree and practice as a clinical psychologist for a number of years. Returning to the theatre, I studied theatre directing, scenic and lighting design and directed and designed live theatre for twenty years. I studied with the great stage designer Alan Stitchbury at the University of Victoria, Alan patiently taught me how to draw the forms of things I couldn't see, the entire round shape of a coffee cup. I now try to apply that to my photography, to look at images in a new way, looking to show both what is seen and what is not seen.
Finally, making my home in Victoria, British Columbia has helped me to see the beauty of the Pacific Northwest in a new light - a change from my relationship to it as a high school student when it was more than a thousand miles from where I wanted to be, surfing in California. Now I see it as one of the most interesting and nourishing places in the world to be a photographer
The photographs in this collection are available for purchase in different formats, as noted on the "Ordering Options" page. Each image shown is limited to only thirty reproductions in total of all formats and then removed. Thus the purchase of any image is one in thirty as a print run.